Skip to main content

A Review of “Godzilla Minus One (2023)”

 

image

Godzilla Minus One is a standalone Godzilla movie from Japan. It brings the franchise back to its roots where Godzilla is a monstrous force of nature, an allegory of war. While I do love the Western Monsterverse franchise, it is mostly for seeing Godzilla or Kong fight another giant monster. The writing and characters have never been a highlight in that universe. Does Godzilla Minus One deliver more than the Monsterverse?

image

Firstly, Godzilla’s design is spectacularly frightening, his roar is menacing and his heat rays are some of the best and most impactful blasts I’ve seen from Godzilla. Every Godzilla action set piece is terrifying and tense. I love how these sequences are filmed from a human perspective, so we get to truly see the scale and how dangerous Godzilla is. The music score by Naoki Sato is phenomenal! His subtle orchestral score compliments the scene and illustrates the pain and struggles that Japanese people in WW2 went through. He then uses a strong powerful orchestral score for Godzilla to show how he is bringing back the pain again. His use of the Godzilla theme is effective every time. The visuals and cinematography look great while the CGI can be a bit wonky sometimes, for the most part, it looks good. Especially for Godzilla who looks awesome. It is honestly astounding how good this film looks for a movie under a $15 million budget.

image

What this film succeeds at in comparison to Western Godzilla movies, is having compelling human characters that you truly care about. The characters are all suffering in some way from World War 2, whether it is PTSD or loss. You’re watching these characters try to overcome and push through this dark period. The camaraderie and family dynamic is at the core of all the characters and it is extremely touching to watch. I was especially rooting for the main character to get development just because I wanted to see him be happy. That is why for the first time, I was rooting for Godzilla to lose as I didn’t want to see our characters get hurt. I also love how the story doesn’t shy away from the negative aspects of Japan’s government during WW2. The human drama is wonderfully engaging and can even tug at the emotional strings which is such an achievement in a Godzilla movie.

image

Overall, Godzilla Minus One is not only a terrific Godzilla movie, it’s an amazing movie period. This movie shows that you can tell a great story with great characters and still have Godzilla as a major element. Not only that, you can still make a great looking movie with good CGI on a low budget. The CG in this movie looks better than a lot of these western movies with 200 or 300 million budgets. Godzilla Minus One is must watch and I highly recommend going to a theatre near you to experience it in all its glory!


 

Comments

Popular posts from this blog

A “QUICK!” Review of “Boy Kills World (2024)”

  Bill Skarsgard in an action movie? Yes Please! The story is a generic revenge flick with an interesting concept of a mute and deaf protagonist. The main character has an inner voice which is voiced by H. Jon Benjamin of Archer and Bob’s Burger fame. This sounds interesting on paper but the problem is that the lines are so obnoxious and there are too many. It is always some kind of stupid quip or stating an obvious. It has a lot of comedy but most didn’t land for me. However, you are here for the action and it delivers on those. It has a lot of gore, gunplay, martial arts and over-the-top set pieces. It really shines in the 3rd act in both the story and the action. The final fight is a top-tier choreographed fight. In the end, Boy Kills World knows what it is and gives you exactly that. A bloody, fun action comedy!    

A “QUICK!” Review of “Badland Hunters (2024)“

  Ma Dong-Seok is one of the coolest dudes in Korean cinema. I do think the film is a little disappointing as the post-apocalyptic setting isn’t used in an exciting way. The plot is also nothing special. It is incredibly dumb and predictable while also having minimal explanation about anything. The characters are also very bland. There is barely any exploration of any of the characters including the main character. Due to this, they all come off as one-dimensional and this makes it very difficult to care about anyone. However, it has some incredibly well-choreographed and fun action sequences. Who doesn’t want to see Ma Dong-seok kick ass!

A “QUICK!” Review of “Monkey Man (2024)”

  Dev Patel is an actor I admire so of course I was interested in his directorial debut. There is a lot of great stuff here but there are some issues too. The first act has a great build-up with its sprinkle of backstory and world of crime. The action scene is fun albeit it is overly edited and has a lot of shaky cams. The movie’s pacing then goes to a complete stall with its boring second act that goes on for too long. Nothing of importance occurs apart from explaining something the audience already knows and a pointless side quest. The final act is a full-on action set piece that doesn’t use shaky cam but is incredibly predictable. Monkey Man has an interesting spin with the added Indian mythology but it is just an overstuffed and over-explained revenge story. It is a great start for Dev Patel and I will look at his director career with great interest.